#No sudden move trailer movie#

“Sometimes as an audience we want to feel like there’s clear-cut good guys and bad guys because we can sit back and not have to really work.

“Every day in the hair and makeup trailer, we were talking about that: ‘Well, if we do this, do I trust you? Can you trust me?’” says Cheadle. “You’ve just got to keep grinding until you find this sort of balance where people are reaching for understanding but you haven’t gotten so far out in front of them that they become despondent.”įor Cheadle and Del Toro, the ever shifting cat-and-mouse dynamic between their mistrustful and morally murky characters proved a heady challenge. “You’re constantly trying to calibrate how information is released, what characters know what when,” the director says. To reveal much more of the plot would spoil some of the fun of the film, which costars David Harbour, Ray Liotta, Jon Hamm, Amy Seimetz and Brendan Fraser, as the viewer discovers along with the characters the dimensions of the web in which they’re entangled. After things go terribly awry, the two begin a search to find out who hired them and why, taking them on a twisty journey that eventually leads to the upper echelons of the city’s criminal and business worlds - worlds, it turns out, that are not so far apart. “No Sudden Move” stars Don Cheadle and Benicio del Toro as a pair of small-time criminals who are brought together with another petty crook (Kieran Culkin) to steal a document from the office of a low-level auto-industry executive. And actually making the film - “No Sudden Move,” which debuts Thursday on HBO Max - would involve an off-screen plot twist that no filmmaker could have foreseen: a global pandemic. And the first question after those two sentences, is, ‘Well, what’s the MacGuffin? Like, what’s the thing?’”įiguring out that thing would prove no easy feat, as Soderbergh’s kernel of an idea sprouted into a sprawling, labyrinthine period noir thriller set in 1954 Detroit, packed with double- and triple-crosses and themes of systemic racism and corporate greed. Then everything goes wrong,” Soderbergh remembers. “I described a very simple setup: Three people who don’t know each other are brought together to do a very specific job. He sat down with screenwriter Ed Solomon, with whom he’d just worked on the HBO murder mystery “Mosaic,” at the 101 Coffee Shop in Los Angeles to start hashing out ideas for a heist movie, not really knowing where the project might lead. Then, as inevitably happens, things got complicated.Ī few years ago, Steven Soderbergh, having directed such critically and commercially successful crime thrillers as 1998’s “Out of Sight” and the “Ocean’s 11” series, found himself itching to try for another big score.

#No sudden move trailer movie#

Like any heist - or any heist movie - it started with a simple plan.